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#Ike countdown to d day movie#
More than just his military acumen, the movie depicts Eisenhower’s down-home charm, his ability to smooth the ruffled feathers of Montgomery and de Gaulle and remain popular with the enlisted men. Ike is advised to keep his inspirational speech impersonal, but instead, the old-fashioned Kansas boy approaches them as one of their own, lighting cigarettes and chatting intimately with boys he knows may not be coming back. In one particularly touching scene, he addresses the fresh faces of an airborne division, whose casualties he knows are predicted to be roughly 70%. He discharges a military friend for talking too freely in a bar. He writes to wife Mamie (unseen here) of the horrors of war. As plans for a secret summer invasion draw closer, Ike has more egos and dissention to contend with than an “American Idol” reunion special.īetween the decisions, he feels the burden and isolation of his leadership. Ike does have the unwavering support of Chief of Staff Walter Bedell “Beetle” Smith (Timothy Bottoms) but faces, among other things, uncooperative weather and largely untested military vehicles.
#Ike countdown to d day free#
de Gaulle (George Shevtsov), the leader of free France. Patton (Gerald McRaney), and imperious Gen. In addition to an increasingly nervous Churchill, Ike has to deal with maverick Gen. Montgomery (Bruce Phillips), who wanted the job himself. Not all are happy with Ike’s newfound muscle, most notably his British counterpart, Gen. Churchill, reluctant to give that much control to anyone, reminds Ike that he is the first in history to hold such power, and the pic goes on to detail the problems associated with such power as much as it outlines the plans themselves. Army General Eisenhower (Selleck) is given the job of supreme commander of the Allied forces by British Prime Minister Winston Churchill (Ian Mune). In 1943, through a haze of cigarettes and cigars and much other huffing and puffing, U.S. And while the thought of bureaucrats, military brass and politicians sitting around a table discussing the fate of the world sounds less than enticing, A&E’s comprehensive production is anything but dull.
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Chetwynd and director Robert Harmon (“The Crossing”) manage to find a new angle on a popular wartime tale, bringing to life in detail the strategic coordination of the invasion of Normandy.